Wednesday, April 27, 2011

Oil Painting



In other news, I've been taking an oil painting class. This was my first piece. My last attempt at painting with acrylics left me frustrated, but oil is so much more forgiving. My undergraduate acrylics were rife with hard edge forms. Now I am learning to blend my strokes, essential to creating any sort of realistic modeling. Enjoy!

Rad Dress




$4.99 at Savers!! Whhaaatt? I couldn't say no. This is totally going to be my party frock this summer.

More Sketches









...from the dummy book. All images are property of Amanda Anderson. Please do not use without permission.

NYC

Last Wednesday at this time found N and I in the City, celebrating his birthday.



We began our day at Obscura Antiques. I had heard of the shop, but didn't know its full significance until N told me it is the location of the show Oddities (I am hopeless when it comes to knowing what is on TV). Anyway, the shop owner was very friendly and happy to answer any questions N had as he geeked out over all the treasures: taxidermies, shrunken heads, carnival masks. Very cool.



I wanted to go here for lunch soooo badly, but it wasn't open and we couldn't find the hours. I'm working on a project that involves Luchadors so eating here would have been very inspiring. Oh well. I got my Mexican wrestling fix at Love Shine NYC a colorful shop full of Dia de los Muertos imagery. Picked up some sweet postcards. The owner of this shop was also very friendly (who says New Yorkers are rude?).


Graffitti! One of N's top ten movies of all time.




This is where we actually had lunch. Juicy burgers and hearty brew. Just what we needed for a mid-day break!

Then we found a secret garden...


..and an Italian Plummer.


After some more walking (and free hummus samples!) we stopped into Strand, 18 miles of books, y'all. Next time you are there, see if you can find the letterbox.

After that we went to Central Park. The sun came out gilding the cherry blossoms! Very romantic, to be sure. We found an Egyptian obelisk and visited Alice. Then it was off to meet a friend for Happy Hour.

Following that, we had a lovely Wine Education Class at Morrell. Their wine specialist did me a huge solid by allowing N and I to switch our class to that Wednesday instead of the original date I purchased tickets for (yesterday). He totally didn't have to (it was my dumb fault for buying tickets during a school week!), but he did and we were so grateful. He was also very knowledgeable and approachable. So thanks, Morrell Wine Shop! Side note-we had some AMAZING cheeses. I have been trying not to eat dairy, but there was no way I could resist and it was SO worth it.

Totally the best day ever.



Monday, April 25, 2011

Glitterbaby!

L recently revamped her (our) etsy site. I still have yet to upload anything, but her recent forays into glitter and jewelry making are exciting!

Check these out!



Source: etsy.com via Miss on Pinterest



Source: etsy.com via Miss on Pinterest



I'm a big fan of the blue glitter one! She recently sent me one of her creations in Berry (it pays to have an artist for a sister) and I was impressed by how good it looks. Sometimes glitter comes out too chunky or not as sparkle-y as it could be, but this pendant shimmers in any light. It is sealed so that the glitter won't come off, although I would avoid getting it wet just in case. And it goes with everything! Literally. The glitter picks up whatever color I wear, so experimenting with different color combinations is fun.

If you like what she's doing, feel free to make a purchase. It will totally brighten both of your day and hers!

(Note L did not ask me or pay me to write this. I did it for fun and because I love my sister.)

Monday, April 18, 2011

Pass this On

This article on How to Steal Like an Artist, found through Gala Darling, is great. Short and sweet (ideal for compulsive scanners like me) but chock full of food for thought for all creative types. The author puts into words realizations that have been cropping up in my own life.

Most notable to me are number's 1, 3 and 9. A sub heading under number one is the notion that "artists collect selectively". L and I have done this for as long as I can recall, tearing up magazines and saving what inspires us most. The internet has made this so much easier with sites like Pinterest and Polyvore. The former is my newest obsession; for years I had to steal images from Google image search (right click + save to desktop) which I think is bad? Hurts other websites? Steals bandwidth? My lack of knowledge is showing, but to the point Pinterest allows me to avoid all this real or imagined harm and create mood boards and collages of everything that I am into at the moment. Very useful for planning projects and getting references all in one place.

Number three is along the same lines: "Write the book you want to read". In my case, this would be draw the image you want to see. I find it so much easier to sit myself down and commit to making art when it is something I would want to own. This is a simple realization, but a powerful one. Often times, I'm tempted to be content with whatever I make. But when I run it by the barometer of "Would I want to own this?" it becomes easier to evaluate my work and push it in the direction of where I want it to be. This connects back to the first point because knowing what inspires me provides me with a standard to compare my work to.

Number nine states that being boring is the only way to get work done and I'm finding that I have to agree. Having an active social life really cuts into my creative time, and I know I need to work on setting boundaries. Artistic time needs to be protected, or else art won't be made! In the end it is about striking a balance between the two. I will let you know when I have achieved this.

So those are my thoughts this morning. What advice would you give other artists/writers/musicians etc.?

Wednesday, April 13, 2011

Sneak Peek




Four pages for the dummy book of N.'s story. Enjoy!
Images are property of Amanda Anderson.

Mantra

Mantra

Mantra by pandabot on Polyvore.

When I become a teacher, I want this to be the philosophy that my students embrace, because it is a philosophy I subscribe to. This is a recent change. Those who know me know that I am hesitant at best when it comes to taking risks and at worst paralyzed with indecision. Anytime an option is presented to me I run down the list of mental questions:

How will this decision affect me? How will it affect others? What will people think if I do this? Will it make them happy? Will it make me happy? Is this a good idea? What are all the possible ways this could go wrong and how do I keep myself safe if it does?

Ok, a bit of a hyperbole (for example, I can decide what to eat for breakfast without any major conundrums), but you get the idea. I think the last question is most significant. How can I keep myself safe?

For me safety means a variety of things, from literal physical well being to long term financial security, but more often than not, it means comfort. I am a creature of habit (for example, I love having a routine) and when that gets disrupted I sometimes like to burrow deeper into my den of safety. But how many times am I missing out on something awesome because of my desire for predictability? The answer: a lot.

Growing up, I did not take chances and it has shaped my life. I like my life, a lot, so I don't look at my past with regret, but there are unanswered questions: who would I be if I'd gone away to college instead of commuting? If I went to an art school instead of state college? If I pursued my passions on a whim instead of worrying so much about choosing the best, most secure time to follow them?

The point is there is no best time, an idea that stood out to me most this morning listening to Love and Sequins #2 (highly recommended, go buy it now!!). The best time to do what you want is at the moment and to put your energy into making it happen. This makes most sense to me with regards to my art. My life has been lived according to the (false) ideas that I should do art on the side, and work a serious job during the day. Additionally, I held on to the notion that everyone else out there was better at art than me, which has a degree of truth in any field there will always be people who are better than you, BUT the important thing is that I used this notion as an excuse to not even try. On the days where I would try to create something, I would dismiss my efforts as lame or ugly and continue to fritter away time. I began to believe that art ability was inherent and that no effort on my part would change that.

A turning point in my thinking came when I read The Talent Code (TTC) by Daniel Coyle. His argument is that what we think of as "talent" is actually focused hard work on a given skill (art, sports, even socializing) and that anytime we perform deep practice, we are actually changing our brains in a way that reinforces and strengthens the skill. And the best way to learn something? Make a mistake. To me, this was a revolutionary concept. As someone who had always been so careful, the idea that I should actively make mistakes would have been scary if not for the fact that by virtue of making the mistake your brain is learning and eventually will no longer make the same mistake. There will be tangible neurological outcomes for our efforts. Therefore, if I want to enter the realm of "talented" artists, I need to do the work and make the mistakes; choose the wrong color, make the eyes too big, use the wrong paper. (It is worth nothing that my mom knew this concept without having read TTC; as children she always encouraged us to "draw, draw, draw!")

And truly, the more I study people who are successful or have built their own identities, the more I realize that they are not different from the masses, EXCEPT that they are willing to take the risks and do the work. They will talk to that stranger on the bus to build a contact, stay up the extra hour past bedtime to complete an image, or cancel plans with that friend to edit their work so that it is pristine. I want to join this league of hard workers and risk takers and moreover, I want to teach my students that they too can do this. The American Dream is "You can have whatever you want" but the addendum needs to be "As long as you do the work." Don't be afraid to make mistakes. It is all part of being successful.

Wednesday, April 6, 2011

Penelope

Cruz is beautiful.

West Coast Adventures

It has been over two weeks since my jaunt to the West Coast, and I am not sure which I miss more, my sister (who lives out there and was the impetus for said journey) or the beautiful landscape/Californian lifestyle. L definitely has a good thing going for herself out there. To name a few benefits of her shiny new life:

1. She is less dependent on a car out there than she was at home- Weather permitting, we biked/walked or took public transportation as often as possible.

L guards our valiant steeds.

2. She fills her apartment with delicious/healthy/organic food-experimenting in her kitchen yielded tasty/guilt free fun (coconut flour birthday cake with raw frosting!!). (Thanks to Fi for the link!)

We experimented with the magical properties of Miracle Fruit. Go get some now!!

3. She has a beautiful balcony- Mornings were spent wrapped in blankets (not quite summer out there yet), drinking French Vanilla tea, while discussing our art endeavors and inspirations. We even saw a double rainbow. (What does it mean?)

Tips for those trying to save moo-lah: go to American Apparel and sample their nail polishes, a different color for each nail. Instant Free Rainbow Manicure!

4. She is surrounded by GIGANTIC mountains-Well, perhaps they were "hills" by Californian standards but compared to CT the landscape was monumental. My next visit will surely entail much hiking.

My impression of Maria.

5. She is less than an hour from San Fransisco-A charming city to be sure. I definitely prefer the overwhelming sense of life that exists in NYC (it has set the standard for what a City is to me), but San Fran was beautiful. It felt manageable in size; I never felt "lost". If we had come earlier in the week, when we had more disposable income, I'm sure we could have seen more of the sights. As it was, we spent most our day at the MOMA (highly recommended. My favorite: the current exhibit on how Wine influenced different aspects design, from architecture to glassware) and hid from the rain at a touristy pub near the Fisherman's Wharf (bummer: they added their own tip onto L's tab. Not cool. But the Guinness was good I suppose.). The one thing I regret not doing was riding the cable car, but it was $5 for one ride and we were spent by then (I think they have day passes of unlimited rides for $13, but more research is needed on this!).

Surprisingly, the Golden Gate isn't the only suspension bridge in San Fran. A view of the Oakland Bay Bridge.

Other highlights: In and Out Burger, Oh My Sushi, Farmer's Markets, and giant crepes!

I cannot wait to go back! To be with my family in such a beautiful part of the United States was a wonderful gift. But for now I suppose I will have to keep California Dreamin'.